第53屆威尼斯雙年展（香港館）回應展1/2：
「與視覺無關的旅行」
廣州二沙島廣東美術館
即日起到4月4日（星期日）
更多: http://oneeyeman.blogspot.com/2010/03/blog-post_30.html
Showing Now!
第53屆威尼斯雙年展（香港館）回應展1/2：
「與視覺無關的旅行」
廣州二沙島廣東美術館
即日起到4月4日（星期日）
更多: http://oneeyeman.blogspot.com/2010/03/blog-post_30.html
Recent News:
Recent project: 
1. 53rd Venice Biennale: Hong Kong Pavilion
The Hong Kong Arts Development Council presents Making (Perfect) World: Harbour, Hong Kong, Alienated Cities and Dreams, a solo presentation of Pak Sheung Chuen at the 53rd Venice Biennale from June 7th to November 22nd 2009. The exhibition is curated by Tobias Berger in association with Para/Site Art Space. Supported by The Burger Collection, Vitamin Creative Space and Osage Art Foundation.
Official website: http://www.venicebiennale.hk/
Facebook: http://www.facebook.com/group.php?gid=97489830744&ref=ts
1. 53rd Venice Biennale: Hong Kong Pavilion
The Hong Kong Arts Development Council presents Making (Perfect) World: Harbour, Hong Kong, Alienated Cities and Dreams, a solo presentation of Pak Sheung Chuen at the 53rd Venice Biennale from June 7th to November 22nd 2009. The exhibition is curated by Tobias Berger in association with Para/Site Art Space. Supported by The Burger Collection, Vitamin Creative Space and Osage Art Foundation.
Official website: http://www.venicebiennale.hk/
Facebook: http://www.facebook.com/group.php?gid=97489830744&ref=ts
2. New Book! Odd One In II - Invisible Travel
Travelling could be about ‘being present’; at times, it could have nothing to do with ‘being present’ – it could be an imaginary act for a beautiful, unseen place. On an ordinary day it could also become a wonderful part of our memory, taking us to somewhere far away … an afternoon … a section of the road … or a strip of cloud. Odd One In II: Invisible Travel is a collection of Pak’s art documentation about ‘getting lost’ in an unfamiliar place and ‘seeing from his inner eye’ during his traveling in Italy, New York, Korea, Tokyo, Malaysia and China.
MCCM (Publisher): http://www.mccmcreations.com/
Facebook：http://www.facebook.com/group.php?gid=93373044526&ref=nf
新書！單身看II：與視覺無關的旅行
這是白雙全的另類旅行記錄。他走地圖裡看不到的路，他到中國找一個台灣，他要求自己在陌生地方不斷迷路，他甚至全程蒙著眼睛扮失明人去旅行……，一切一切，都在某次歐洲旅行途中所有行李被偷開始；沒有了相機，沒有了記錄工具，一切又回到最原始，反省旅行途中應該做的事。這是一本圖文城市的記錄，書中大部分作品都在意大利、紐約、韓國、東京、馬來西亞，和中國等地完成。當中有 「與旅人談旅行」部分，分享嘉賓包括歐陽應霽、馬傑偉、潘國靈、陳寧，和朱凱迪。
3. Inexistent Time in Nam Junk Piak Art Center: http://njp.kr/root/html_eng/cur_exh.asp
4. Half Is Complete in HK Museum of Art: http://halfiscomplete.blogspot.com/
5. All Day(s) All Night(s): PAK Sheung Chuen's Solo Exhibition in Vitamin Creative Space: http://twomoonspark.blogspot.com/
6. White Library / A Mind Reaching for Emptiness: http://www.aaa.org.hk/
A blank page is a pause of time in reading. It could also be readable, offering infinite imagination. A blank page is common in all books, giving us a vision of all. My residency in Asia Art Archive is to photocopy all the blank pages from its collection, attempting to create an alternative to the archive’s collection.
白色的圖書館／空白的想像
空白頁是閱讀的停頓時間，若果把空白頁當作內容來閱讀，它會是一個無限的想像空間。空白頁是所有書唯一相同的一頁，它把不同的書串連起來，從一頁可以看到所有。我在亞洲藝術文獻庫(AAA)的駐場計劃是把圖書館內所有藏書的空白頁影印出來，成為圖書館一項另類的文獻記錄。
7. A Travel without Visual Experience: http://www.invisibletravel.blogspot.com/
Malaysia, 2009-10-7 to 11 (5-days/4-nights tour group)
與視覺無關的旅遊
馬來西亞，2009-10-7到11 (五日四夜旅行團)
8. New York Public Library Projects (NYPLP): http://nyplp.blogspot.com/
Travelling could be about ‘being present’; at times, it could have nothing to do with ‘being present’ – it could be an imaginary act for a beautiful, unseen place. On an ordinary day it could also become a wonderful part of our memory, taking us to somewhere far away … an afternoon … a section of the road … or a strip of cloud. Odd One In II: Invisible Travel is a collection of Pak’s art documentation about ‘getting lost’ in an unfamiliar place and ‘seeing from his inner eye’ during his traveling in Italy, New York, Korea, Tokyo, Malaysia and China.
MCCM (Publisher): http://www.mccmcreations.com/
Facebook：http://www.facebook.com/group.php?gid=93373044526&ref=nf
新書！單身看II：與視覺無關的旅行
這是白雙全的另類旅行記錄。他走地圖裡看不到的路，他到中國找一個台灣，他要求自己在陌生地方不斷迷路，他甚至全程蒙著眼睛扮失明人去旅行……，一切一切，都在某次歐洲旅行途中所有行李被偷開始；沒有了相機，沒有了記錄工具，一切又回到最原始，反省旅行途中應該做的事。這是一本圖文城市的記錄，書中大部分作品都在意大利、紐約、韓國、東京、馬來西亞，和中國等地完成。當中有 「與旅人談旅行」部分，分享嘉賓包括歐陽應霽、馬傑偉、潘國靈、陳寧，和朱凱迪。
3. Inexistent Time in Nam Junk Piak Art Center: http://njp.kr/root/html_eng/cur_exh.asp
4. Half Is Complete in HK Museum of Art: http://halfiscomplete.blogspot.com/
5. All Day(s) All Night(s): PAK Sheung Chuen's Solo Exhibition in Vitamin Creative Space: http://twomoonspark.blogspot.com/
6. White Library / A Mind Reaching for Emptiness: http://www.aaa.org.hk/
A blank page is a pause of time in reading. It could also be readable, offering infinite imagination. A blank page is common in all books, giving us a vision of all. My residency in Asia Art Archive is to photocopy all the blank pages from its collection, attempting to create an alternative to the archive’s collection.
白色的圖書館／空白的想像
空白頁是閱讀的停頓時間，若果把空白頁當作內容來閱讀，它會是一個無限的想像空間。空白頁是所有書唯一相同的一頁，它把不同的書串連起來，從一頁可以看到所有。我在亞洲藝術文獻庫(AAA)的駐場計劃是把圖書館內所有藏書的空白頁影印出來，成為圖書館一項另類的文獻記錄。
7. A Travel without Visual Experience: http://www.invisibletravel.blogspot.com/
Malaysia, 2009-10-7 to 11 (5-days/4-nights tour group)
與視覺無關的旅遊
馬來西亞，2009-10-7到11 (五日四夜旅行團)
8. New York Public Library Projects (NYPLP): http://nyplp.blogspot.com/
Recent Exhibitions
Solo exhibition:
"From Everyday Objects to Eternity", Diogene Bivaco Urbano, Turin, Italy: http://www.progettodiogene.eu/
"page 22", 58th Street Branch Library, New York, USA: http://www.nyplp.blogspot.com/
"All Day(s) All Night(s)", Vitamin Creative Space, Guangzhou, China: http://www.vitamincreativespace.com/
Group exhibition:
"Yokohama Triennale 2008": www.yokohamatriennale.jp/2008/en
"Third Guangzhou Triennial": www.gdmoa.org/zhanlan/threeyear/4
"New York Art Book Fair 2008": http://www.nyartbookfair.com/
"A Question of Evidence", Vienna: http://www.tba21.org/
"Map game", Birmingham Museum: http://www.bmag.org.uk/
"Charming Experience", HK Museum of Art: www.lcsd.gov.hk/CE/Museum/Arts
"The First Stop on the Super Highway", The Nam June Paik Art Center: http://njp.kr/root/html_eng/cur_exh.asp
Residency program:
Art residency in Diogene, Turin, Italy: http://www.progettodiogene.eu/
Art residency in Asian Art Archive, Hong Kong: http://www.aaa.org.hk/
Prize:
"Inward Gazes: Documentaries of Chinese Performance Arts 2008", Macao Museum of Art: http://www.artmuseum.gov.mo/
"From Everyday Objects to Eternity", Diogene Bivaco Urbano, Turin, Italy: http://www.progettodiogene.eu/
"page 22", 58th Street Branch Library, New York, USA: http://www.nyplp.blogspot.com/
"All Day(s) All Night(s)", Vitamin Creative Space, Guangzhou, China: http://www.vitamincreativespace.com/
Group exhibition:
"Yokohama Triennale 2008": www.yokohamatriennale.jp/2008/en
"Third Guangzhou Triennial": www.gdmoa.org/zhanlan/threeyear/4
"New York Art Book Fair 2008": http://www.nyartbookfair.com/
"A Question of Evidence", Vienna: http://www.tba21.org/
"Map game", Birmingham Museum: http://www.bmag.org.uk/
"Charming Experience", HK Museum of Art: www.lcsd.gov.hk/CE/Museum/Arts
"The First Stop on the Super Highway", The Nam June Paik Art Center: http://njp.kr/root/html_eng/cur_exh.asp
Residency program:
Art residency in Diogene, Turin, Italy: http://www.progettodiogene.eu/
Art residency in Asian Art Archive, Hong Kong: http://www.aaa.org.hk/
Prize:
"Inward Gazes: Documentaries of Chinese Performance Arts 2008", Macao Museum of Art: http://www.artmuseum.gov.mo/
Biography
Pak Sheung Chuen (白雙全)
Pak Sheung Chuen was born in Fujian (China) in 1977. He immigrated to Hong Kong at 7 years old. He lives and works in Hong Kong now. Pak is a conceptual and performance artist who is well known as a regular visual art columnist in a local newspaper “Mingpao”. His artwork is conceptual, poetic and humor. Each artwork is a deep thought on everyday life. He was awarded an Overseas Exchange Prize (Chinese Performance Art) from Macao Museum of Art in 2005. He got the Lee Hysan Foundation Fellowship in 2006 from Asian Cultural Council supporting him to work in New York. He published 2 books: Odd One In: Hong Kong Diary and See Walk What on 1 July. Pak is a core member of 2nd Floor 5 Sons Studio.
1977 Born in Fujian, China.
1984 Immigrated into Hong Kong.
2002 Graduated from The Chinese University of Hong Kong, B.A., Major in Fine Arts, Minor in Theology.
2002 Setup the“2nd Floor 5 Sons Studio”in Fotan with 4 classmates.
2003 Started to pose artworks on Mingpao Daily Newspaper.
2004 Columnist of the (Sunday) Mingpao (明報) Daily Newspaper (until 2006).
2005 Published 2 books: "See Walk What on 1 July" and "Odd One In: Hong Kong Diary". Won an Oversea Exchange Prize in the exhibition: "Inward Gazes–Documentaries of Chinese Performance Arts"(2005) Oversea Exchange Prize, Macao Museum of Art.
2006 Participated in a number of oversea exhibitions, such as “Busan Biennale 2006”. Awarded the Lee Hysan Foundation Fellowship (12 months in USA) of Asian Cultural Council.
2007 ISCP residency in New York
E-mail: tozerpak@hotmail.com, tozer_walking@yahoo.com.hk
On-line Portfolio: http://www.pakpark.blogspot.com/
Blogger: http://www.oneeyeman.blogspot.com/
Homepage: http://www.oneeyeman.com/
白雙全1977年生於中國福建，七歲時隨母移居香港，現於香港生活及工作。白氏從事觀念/行為藝術創作，作品以身邊的人/事/物出發，探索日常生活的美麗和詩意，富有幽默感，且容易明白，他的作品多於《明報》的專欄發表。2005年他獲澳門藝術博物館頒發(行為藝術)海外交流獎，2006年獲亞洲文化協會頒發利希慎基金赴紐約創作一年。他曾出版兩本書：《單身看：香港生活雜記》和《七一孖你遊香港》。他是二樓五仔工作室核心成員。
1977年 生於中國福建。
1984年 移居香港。
2002年 畢業于香港中文大學，主修藝術，副修神學。
2002年 與四位同學在火炭設立「二樓五仔工作室」。
2003年 開始在《明報》發表圖像作品。
2004年 在星期日《明報》單身看專欄發表作品直到2006年。
2005年 出版二書：《單身看：香港生活雜記》及《七一孖你遊香港》。得「以身觀身─中國行爲藝術文獻展」海外交流獎。
2006年 參與多個國際展覽，如「釜山雙年展」，同年獲美國亞洲文化協會頒發利希慎基金獎助金，赴美國創作一年。
Pak Sheung Chuen was born in Fujian (China) in 1977. He immigrated to Hong Kong at 7 years old. He lives and works in Hong Kong now. Pak is a conceptual and performance artist who is well known as a regular visual art columnist in a local newspaper “Mingpao”. His artwork is conceptual, poetic and humor. Each artwork is a deep thought on everyday life. He was awarded an Overseas Exchange Prize (Chinese Performance Art) from Macao Museum of Art in 2005. He got the Lee Hysan Foundation Fellowship in 2006 from Asian Cultural Council supporting him to work in New York. He published 2 books: Odd One In: Hong Kong Diary and See Walk What on 1 July. Pak is a core member of 2nd Floor 5 Sons Studio.
1977 Born in Fujian, China.
1984 Immigrated into Hong Kong.
2002 Graduated from The Chinese University of Hong Kong, B.A., Major in Fine Arts, Minor in Theology.
2002 Setup the“2nd Floor 5 Sons Studio”in Fotan with 4 classmates.
2003 Started to pose artworks on Mingpao Daily Newspaper.
2004 Columnist of the (Sunday) Mingpao (明報) Daily Newspaper (until 2006).
2005 Published 2 books: "See Walk What on 1 July" and "Odd One In: Hong Kong Diary". Won an Oversea Exchange Prize in the exhibition: "Inward Gazes–Documentaries of Chinese Performance Arts"(2005) Oversea Exchange Prize, Macao Museum of Art.
2006 Participated in a number of oversea exhibitions, such as “Busan Biennale 2006”. Awarded the Lee Hysan Foundation Fellowship (12 months in USA) of Asian Cultural Council.
2007 ISCP residency in New York
E-mail: tozerpak@hotmail.com, tozer_walking@yahoo.com.hk
On-line Portfolio: http://www.pakpark.blogspot.com/
Blogger: http://www.oneeyeman.blogspot.com/
Homepage: http://www.oneeyeman.com/
Pak's artwork and interview in newspaper
白雙全在明報的作品及訪問
白雙全在明報的作品及訪問
白雙全1977年生於中國福建，七歲時隨母移居香港，現於香港生活及工作。白氏從事觀念/行為藝術創作，作品以身邊的人/事/物出發，探索日常生活的美麗和詩意，富有幽默感，且容易明白，他的作品多於《明報》的專欄發表。2005年他獲澳門藝術博物館頒發(行為藝術)海外交流獎，2006年獲亞洲文化協會頒發利希慎基金赴紐約創作一年。他曾出版兩本書：《單身看：香港生活雜記》和《七一孖你遊香港》。他是二樓五仔工作室核心成員。
1977年 生於中國福建。
1984年 移居香港。
2002年 畢業于香港中文大學，主修藝術，副修神學。
2002年 與四位同學在火炭設立「二樓五仔工作室」。
2003年 開始在《明報》發表圖像作品。
2004年 在星期日《明報》單身看專欄發表作品直到2006年。
2005年 出版二書：《單身看：香港生活雜記》及《七一孖你遊香港》。得「以身觀身─中國行爲藝術文獻展」海外交流獎。
2006年 參與多個國際展覽，如「釜山雙年展」，同年獲美國亞洲文化協會頒發利希慎基金獎助金，赴美國創作一年。
Two books by Tozer Pak
白雙全出版的兩本書
白雙全出版的兩本書
Oversea Art Project 01
Busan, South Korea
南韓釜山
Busan Biennale 2006 釜山雙年展
2006 16.9.2006-25.11.2006
http://www.busanbiennale.org/
呼吸一間屋的空氣
Breathing in a House
Korea (Busan), 1-10.09.2006 (10 Days)
Installation with Video
Size variable (Video length: 6 minutes)
我住在一間小屋裡，呼吸，直到用完這裡的空氣。
I live in a small house, Breathing Until I use up all the air in the whole house.
關於作品：
有一個晚上我睡在自己的床上，呆呆地望著天花板，甚麼也沒有想，只是隱約聽到自己的呼吸聲，忽然問自己：「要用多少時間才可以呼吸完整間房的空氣？」這就是創作這件作品的緣由。後來有機會在韓國釜山雙年展把這個想法做出來，我在釜山租了一間屋(體積6.7m x 2.7m x 2.2m，和香港的屋一樣細！)，我住在這裡照常作息，但我用透明膠袋把我呼吸的空氣都儲存下來，直至這些儲有我空氣的膠袋填滿了整間屋為止，過程一共用了十天的時間。感覺就像我一部份的生命寄居在這間屋似的。
Description:
One night I slept on my own bed, staring at the ceiling, thinking of nothing, but indistinctly heard my own breathing, and I suddenly asked myself, ‘How long does it take to breathe in all the air of this room?’. This is how this work was conceived. And then there came a chance to realize this idea at the Busan Biennial in Korea. I rented an apartment (6.7m x 2.7m x 2.2m, as small as an apartment in Hong Kong! ) in Busan. I lived in this small apartment as usual, but I collected the air I breathed with transparent plastic bags until the whole apartment was filled with these plastic bags with my own breathing. The whole process took 10 days. It felt like part of my life has sojourned at this apartment.
DVD
南韓釜山
Busan Biennale 2006 釜山雙年展
2006 16.9.2006-25.11.2006
http://www.busanbiennale.org/
呼吸一間屋的空氣
Breathing in a House
Korea (Busan), 1-10.09.2006 (10 Days)
Installation with Video
Size variable (Video length: 6 minutes)
我住在一間小屋裡，呼吸，直到用完這裡的空氣。
I live in a small house, Breathing Until I use up all the air in the whole house.
關於作品：
有一個晚上我睡在自己的床上，呆呆地望著天花板，甚麼也沒有想，只是隱約聽到自己的呼吸聲，忽然問自己：「要用多少時間才可以呼吸完整間房的空氣？」這就是創作這件作品的緣由。後來有機會在韓國釜山雙年展把這個想法做出來，我在釜山租了一間屋(體積6.7m x 2.7m x 2.2m，和香港的屋一樣細！)，我住在這裡照常作息，但我用透明膠袋把我呼吸的空氣都儲存下來，直至這些儲有我空氣的膠袋填滿了整間屋為止，過程一共用了十天的時間。感覺就像我一部份的生命寄居在這間屋似的。
Description:
One night I slept on my own bed, staring at the ceiling, thinking of nothing, but indistinctly heard my own breathing, and I suddenly asked myself, ‘How long does it take to breathe in all the air of this room?’. This is how this work was conceived. And then there came a chance to realize this idea at the Busan Biennial in Korea. I rented an apartment (6.7m x 2.7m x 2.2m, as small as an apartment in Hong Kong! ) in Busan. I lived in this small apartment as usual, but I collected the air I breathed with transparent plastic bags until the whole apartment was filled with these plastic bags with my own breathing. The whole process took 10 days. It felt like part of my life has sojourned at this apartment.
DVD
Oversea Art Project 02
Taipei, Taiwan
台灣台北市
零座標的疆域
A Realm with No Coordinates
30.09.2006 - 22.10.2006
http://stumail.nutn.edu.tw/~m09419015/2006/
交叉點
Crossing
關於兩岸三地地緣上的關係
About the geographical relationship between China, Tanwan and Hong Kong
The extension of the longitude of Hong Kong and the latitude of Taipei form a crossing in China. I traveled to that position and found a stone in shape of Taiwan Island.
Travelogue: http://oneeyeman.blogspot.com/search/label/TaiwanStone
台灣台北市
零座標的疆域
A Realm with No Coordinates
30.09.2006 - 22.10.2006
http://stumail.nutn.edu.tw/~m09419015/2006/
交叉點
Crossing
關於兩岸三地地緣上的關係
About the geographical relationship between China, Tanwan and Hong Kong
2006.08.19-20
錄像記錄/Video documentation:15min
我把香港的經線拉長北上，又把台北市的緯線向左伸延，經緯線交叉的位置：中國廣東省紹關市始興縣頓崗鎮七北管理區。我在這裡附近的小溪上拾到一塊台灣寶島形的石頭。
The extension of the longitude of Hong Kong and the latitude of Taipei form a crossing in China. I traveled to that position and found a stone in shape of Taiwan Island.
Cameramen：Ma Chi Hang
其他作品及佈置/Other works and installation
Local Art Project 01
CityU, Hong Kong
香港城大
香港點．城大點
hk.cityu.hk
11.1.2007-22.2.2007
http://www.cityu.edu.hk/
等所有人都睡著了
Waiting for all the people sleep
深水埔 (東京街東寧大廈)
27.12.2006 (22:30) - 28.12.2006 (06:00)
我站在深水埔一棟13層高的大廈面前，等待所有人睡著了，我才離去。相片的時間：22:38 / 01:40 / 02:36 / 04:09 / 05:04。
I stood in front of a 13 floors building at Sham Shui Po. Waiting, until all the people slept. Time of the photos: 22:38 / 01:40 / 02:36 / 04:09 / 05:04.
***
等一個朋友
Waiting for a Friend (without Appointment)
九龍塘地鐵站 (進又一城前的大堂)
29.12.2006 (12:47-16:38)
沒有和任何人約定，我只是隨意在香港挑選一個地方站著，等一個我認識的人出現。這一次我在九龍塘等到一個很久沒有見的大學同學Jacky，他問我：「你怎麼知道我會經過這裡？」我答他：「其實並我不知道，只是我等了你很久。」當我在等我「這個」朋友時，我想起耶穌說的《好撒瑪利亞人》的故事，我想我也是在等一個好的撒瑪利亞人。
Without appointment, I selected a place to wait for a friend. This time, Jacky appeared at 16:38. He asked me, “Why do you know I will walk through there?” I told him, “I don’t know… But I have waited you for a long time!”
其他作品及佈置/Other works and installation
評論/Critic: http://oneeyeman.blogspot.com/2007/01/10.html
香港城大
香港點．城大點
hk.cityu.hk
11.1.2007-22.2.2007
http://www.cityu.edu.hk/
等所有人都睡著了
Waiting for all the people sleep
深水埔 (東京街東寧大廈)
27.12.2006 (22:30) - 28.12.2006 (06:00)
我站在深水埔一棟13層高的大廈面前，等待所有人睡著了，我才離去。相片的時間：22:38 / 01:40 / 02:36 / 04:09 / 05:04。
I stood in front of a 13 floors building at Sham Shui Po. Waiting, until all the people slept. Time of the photos: 22:38 / 01:40 / 02:36 / 04:09 / 05:04.
***
等一個朋友
Waiting for a Friend (without Appointment)
九龍塘地鐵站 (進又一城前的大堂)
29.12.2006 (12:47-16:38)
沒有和任何人約定，我只是隨意在香港挑選一個地方站著，等一個我認識的人出現。這一次我在九龍塘等到一個很久沒有見的大學同學Jacky，他問我：「你怎麼知道我會經過這裡？」我答他：「其實並我不知道，只是我等了你很久。」當我在等我「這個」朋友時，我想起耶穌說的《好撒瑪利亞人》的故事，我想我也是在等一個好的撒瑪利亞人。
Without appointment, I selected a place to wait for a friend. This time, Jacky appeared at 16:38. He asked me, “Why do you know I will walk through there?” I told him, “I don’t know… But I have waited you for a long time!”
其他作品及佈置/Other works and installation
評論/Critic: http://oneeyeman.blogspot.com/2007/01/10.html
Local Art Project 02
Manchester, England
英國曼徹斯特
Arrivals and Departures: New Art Perspectives of Hong Kong
遠想與微觀之間：藝術家對香港的十個看法
18.1.2007 - 8.7.2007
http://www.urbis.org.uk/
五個人行的斑馬線
A Zebra for 5 Persons
2006-12-28 (12:30-13:00)
香港長沙灣 (東京街)
Cheung Sha Wan, Hong Kong
我們5個人在斑馬線排成一字，5個人剛好是斑馬線的闊度：104吋，當綠燈亮起時我們就沿著斑馬線來回行走。斑馬線人：Ah Hei/ Chun Hei/ Casper/ Ah Tong/ Tozer，拍攝：甘麗雲。片長：13分鐘。
I lined up horizontally on a zebra crossing with 4 friends. Our total width (5 persons) is equal to the width of the zebra crossing: 104”. We walked to-and-fro while green light. Zebra crossing members: Ah Hei/ Chun Hei/ Casper/ Ah Tong/ Tozer. Cameramen: Kam Lai Wan. DV Length: 13 minutes.
Shorten Video: 1:58s
其他作品及佈置/Other works and installation
2007-6-5 RTHK 藝力無限3訪問(節錄1:30)
節目重溫: http://www.rthk.org.hk/rthk/tv/artsunlimited2007/20070605.html
英國曼徹斯特
Arrivals and Departures: New Art Perspectives of Hong Kong
遠想與微觀之間：藝術家對香港的十個看法
18.1.2007 - 8.7.2007
http://www.urbis.org.uk/
五個人行的斑馬線
A Zebra for 5 Persons
2006-12-28 (12:30-13:00)
香港長沙灣 (東京街)
Cheung Sha Wan, Hong Kong
我們5個人在斑馬線排成一字，5個人剛好是斑馬線的闊度：104吋，當綠燈亮起時我們就沿著斑馬線來回行走。斑馬線人：Ah Hei/ Chun Hei/ Casper/ Ah Tong/ Tozer，拍攝：甘麗雲。片長：13分鐘。
I lined up horizontally on a zebra crossing with 4 friends. Our total width (5 persons) is equal to the width of the zebra crossing: 104”. We walked to-and-fro while green light. Zebra crossing members: Ah Hei/ Chun Hei/ Casper/ Ah Tong/ Tozer. Cameramen: Kam Lai Wan. DV Length: 13 minutes.
Shorten Video: 1:58s
其他作品及佈置/Other works and installation
2007-6-5 RTHK 藝力無限3訪問(節錄1:30)
節目重溫: http://www.rthk.org.hk/rthk/tv/artsunlimited2007/20070605.html
Oversea Art Project 03
Tokyo, Japan
日本東京
Stranger 陌生人
09-25.03.2007
http://www.c-a-f.jp/
--------------------------------
Alternative Tokyo Travel Project 1:
山之旅
Mountains Trip
地圖/Map: 川崎市宮前區 (1:10,000 / 2006-3 Edition)
時間/Period: 24-27/2/2007 (Unfinished)
我沿著一張地圖摺紋走路，這些摺紋是另一個人無意中留下來的，它們成了我旅行路線。我把沿途所見所有在摺紋上(在北面)垂直的物件都拍攝下來，若果沒有東西，我就會變成一件垂直的物件站在這裡。
I walked along all the folds of a map. The folds were folded or designed accidentally by an unknown person. It becomes my route to travel. I took photos for all the vertical objects (positioned at north), which are positioned at the folds of the map. In case there is no vertical object, I will stand in the north and become a vertical object.
垂直的物件 vertical objects
-----------------------------
Alternative Tokyo Travel Project 2:
谷之旅
Valleys Trip
地圖/Map：東京23區(1:10,000 / 2006-1 Edition)
時間/Period：27-28/2, 1-2/3, 5/3/2007
*我的路線由p1向上一直行到p296，共24頁。
* I walked vertically from p1 to p296, total 24 pages.
我打開一本地圖，沿著地圖左頁和右頁之間的縫隙走路*，從東京的南部一直走到北部。書頁拱起好像山峰，兩座山的中間就成為山谷。我沿途觀光，站在所有山谷與路線交叉的位置上拍照。
I opened a map book. Then, I walked along all the gaps* between the left pages and the right pages in it, from the south to the north Tokyo. The pages are arched like 2 mountains and the gap is craved in like a valley. I stood and took photos at every points that were crossed the valleys.
日本東京
Stranger 陌生人
09-25.03.2007
http://www.c-a-f.jp/
--------------------------------
Alternative Tokyo Travel Project 1:
山之旅
Mountains Trip
地圖/Map: 川崎市宮前區 (1:10,000 / 2006-3 Edition)
時間/Period: 24-27/2/2007 (Unfinished)
我沿著一張地圖摺紋走路，這些摺紋是另一個人無意中留下來的，它們成了我旅行路線。我把沿途所見所有在摺紋上(在北面)垂直的物件都拍攝下來，若果沒有東西，我就會變成一件垂直的物件站在這裡。
I walked along all the folds of a map. The folds were folded or designed accidentally by an unknown person. It becomes my route to travel. I took photos for all the vertical objects (positioned at north), which are positioned at the folds of the map. In case there is no vertical object, I will stand in the north and become a vertical object.
垂直的物件 vertical objects
-----------------------------
Alternative Tokyo Travel Project 2:
谷之旅
Valleys Trip
地圖/Map：東京23區(1:10,000 / 2006-1 Edition)
時間/Period：27-28/2, 1-2/3, 5/3/2007
*我的路線由p1向上一直行到p296，共24頁。
* I walked vertically from p1 to p296, total 24 pages.
我打開一本地圖，沿著地圖左頁和右頁之間的縫隙走路*，從東京的南部一直走到北部。書頁拱起好像山峰，兩座山的中間就成為山谷。我沿途觀光，站在所有山谷與路線交叉的位置上拍照。
I opened a map book. Then, I walked along all the gaps* between the left pages and the right pages in it, from the south to the north Tokyo. The pages are arched like 2 mountains and the gap is craved in like a valley. I stood and took photos at every points that were crossed the valleys.
Snap Shot on the Trip 在路上隨意拍的一些照片
----------------------------
Alternative Tokyo Travel Project 3:
看不見之旅
Invisible Trip
地圖/Map: 國分寺．國立市 (1:10,000 / 2006-4 Edition)
時間/Period: 3-4/3/2007
我打開一張地圖，沿著地圖的邊緣順時針走路，我有時走在地圖內看得見的路上，有時走在地圖外看不見的路上。我站在每條路的盡頭向「看不見」的方向拍照，並畫出我所走過或望見在地圖以外的路。
I traveled clockwise along the boundary of a map. Sometimes, I was walking on some visible roads inside the map. Sometimes, I was walking on some invisible roads outside the map. I draw the invisible roads that I walked or saw, and took photos to the outward direction at all the ends of the roads printed in the map.
Alternative Tokyo Travel Project 3:
看不見之旅
Invisible Trip
地圖/Map: 國分寺．國立市 (1:10,000 / 2006-4 Edition)
時間/Period: 3-4/3/2007
我打開一張地圖，沿著地圖的邊緣順時針走路，我有時走在地圖內看得見的路上，有時走在地圖外看不見的路上。我站在每條路的盡頭向「看不見」的方向拍照，並畫出我所走過或望見在地圖以外的路。
I traveled clockwise along the boundary of a map. Sometimes, I was walking on some visible roads inside the map. Sometimes, I was walking on some invisible roads outside the map. I draw the invisible roads that I walked or saw, and took photos to the outward direction at all the ends of the roads printed in the map.
Part 2:
在報紙上發表的作品
Artworks on Newspaper
-------------------------------------------------
我的作品是關於怎樣「看」
My artwork is about how to "see"
Artworks on Newspaper
-------------------------------------------------
我的作品是關於怎樣「看」
My artwork is about how to "see"
HK History Series 01
３６９２
膠片/plastic sheet
13cm x 15cm
11.05.2003
13cm x 15cm
11.05.2003
爲了減少沙士的傳播，管理公司在大廈的密碼鎖上加了一張膠片，並且定時清潔和更換。這是一張用舊了的膠片，上面壓印了居民出入的痕迹，３６９２是大廈的密碼（有趣的是密碼竟然印了在密碼鎖上！）。盒內盛載著的是屋村其餘五座大廈的膠片。
To contain the spread of SARS, property management companies place a plastic sheet on the combination lock at the entrance of buildings. They have it cleaned and changed on a regular basis. This is a used plastic sheet, bearing traces of residents' comings and goings. 3692 is the entry code for the building. (Amazingly, password was molded on the lock!) The box contains the plastic sheets of the other five blocks in the housing estate.
HK History Series 02
回望昨天
Looking back on July 1
02.07.2004
02.07.2004明報/Mingpao Newspaper
2004年7月2日，我站在禮頓道的天橋上，望著遊行人群走過的路，拍了一張相片。相片拼在該日的報紙上，恰巧成爲風景的延續。(第二年的香港七一大遊行(2004)，人數由五十萬跌落至十萬餘人，很多香港人由參與者變成了旁觀者去關心這件事。)
On July 2, I stood on the footbridge over Leighton Road, looking at the path trodden by the demonstrators. I took a photograph. Putting the photograph on the newspaper of that day accidentally extended the sight. (In the second year of “1st July demonstration” (2004) in Hong Kong, demonstrators drop from 500,000 to 100,000. Many participators became onlookers.)
02.07.2004大公報／Tai Kung Pao Newspaper
Looking back on July 1
02.07.2004
02.07.2004明報/Mingpao Newspaper
2004年7月2日，我站在禮頓道的天橋上，望著遊行人群走過的路，拍了一張相片。相片拼在該日的報紙上，恰巧成爲風景的延續。(第二年的香港七一大遊行(2004)，人數由五十萬跌落至十萬餘人，很多香港人由參與者變成了旁觀者去關心這件事。)
On July 2, I stood on the footbridge over Leighton Road, looking at the path trodden by the demonstrators. I took a photograph. Putting the photograph on the newspaper of that day accidentally extended the sight. (In the second year of “1st July demonstration” (2004) in Hong Kong, demonstrators drop from 500,000 to 100,000. Many participators became onlookers.)
02.07.2004大公報／Tai Kung Pao Newspaper
HK History Series 03
香港人給中央的禮物
路程/route
A Present to the Central Government
第一部份
2005年7月1日(15:00-17:00)
香港銅鑼灣鵝頸橋底
我在第三年的七一遊行路線上橫貼了一條黃線，記錄了整天所有遊行人士的腳印。
Part 1
01.07.2005 (15:00-17:00)
Causeway Bay, Hong Kong
I laid a piece of yellow cloth (0.2m x 10m) off on Hennessy Road to bear witness to the third 1st July march. Cutting across the route, it was there to get footprints of the marchers.
第二部份
2005年7月17日(10:00-17:35)
圍繞北京天安門廣場週邊
我把七一的黃線剪成很多少絲帶，然後圍繞北京天安門廣場週邊綁了一個圈。（絲帶綁上後，有一個朋友在遠處拆除。）
Part 2
17.07.2005 (10:00-17:35)
around the periphery of Tian On Men Square, Beijing
I tore the yellow cloth into tiny ribbons. Then, I tied the ribbons around the periphery of Tian On Men Square. (Afterward, a friend untied it from a distant.)
記錄及電視訪問 (90s)
Documentation and TV Programme Interview (90s)
路程/routeHK History Series 04
給路人的一朵小花
A Little Flower for the Passer-by
07.01.2005
五個一元硬幣組成一朵小花
A little flower arranged by five one-dollar coins
這是一件互動的作品：我把五個一元硬幣排成花的形狀，擺放在牛頭角和石硤尾等一帶的街角，然後畫上枝葉和日期（以作記號），等待「有需要」的人拾去。拾起錢的人就像收到一朵花，地上剩下枝葉和日期，還有拾錢人幸運和祝福的感覺。
I arranged five one-dollar coins into the shape of a flower and placed them at the street corner. Then I drew it a twig and leaf and date (as a mark), waiting for those “in need” to pick them up. The one who picked them up would be like to receive a flower. The twig and leaf and date would remain, as well as the feeling of luck and blessing.
07.01.2005 下午/Afternoon
07.01.2005 晚上/Night
路線/route
石硖尾是香港最多穷人的地方，我在这裡一共摆放了十一朵小花。(红点是小花的位置。)
Shek Kip Mei is the poorest place in Hong Kong. Totally, I placed 11 little flowers in there. (Red dot is the position of the little flowers)
A Little Flower for the Passer-by
07.01.2005
五個一元硬幣組成一朵小花
A little flower arranged by five one-dollar coins
這是一件互動的作品：我把五個一元硬幣排成花的形狀，擺放在牛頭角和石硤尾等一帶的街角，然後畫上枝葉和日期（以作記號），等待「有需要」的人拾去。拾起錢的人就像收到一朵花，地上剩下枝葉和日期，還有拾錢人幸運和祝福的感覺。
I arranged five one-dollar coins into the shape of a flower and placed them at the street corner. Then I drew it a twig and leaf and date (as a mark), waiting for those “in need” to pick them up. The one who picked them up would be like to receive a flower. The twig and leaf and date would remain, as well as the feeling of luck and blessing.
07.01.2005 下午/Afternoon
07.01.2005 晚上/Night
路線/route石硖尾是香港最多穷人的地方，我在这裡一共摆放了十一朵小花。(红点是小花的位置。)
Shek Kip Mei is the poorest place in Hong Kong. Totally, I placed 11 little flowers in there. (Red dot is the position of the little flowers)
HK History Series 05
把「香港」放在香港的中心
Put “Hong Kong” at the Center of Hong Kong
24.06.2004
我做了一個香港島形狀的座標，放在香港島的中心。座標是不銹鋼雕塑，長闊高約爲：24.5cm X 13.7cm X 5cm，香港島的中心位置(見ａ)大概在陽明山莊東南方向的一條小徑上，離大潭郊野公園入口約400m(見ｂ)。座標鑲嵌在香港島的中心，僅露出表面的香港圖形(見ｃ)，圖形的頂部指向北方。(這段時間香港人在討論：甚麼人才有資格管治香港？)
I made a sign (a stainless steel sculpture) in the shape of Hong Kong Island, and put it at the center of the Hong Kong Island. I use a minimum rectangle to enclose the Hong Kong Island. The cross of the diagonals is the center of Hong Kong. The sculpture is 24.5cm X 13.7cm X 5cm. (During this period, people were debating on what kind of person should govern Hong Kong.)
Put “Hong Kong” at the Center of Hong Kong
24.06.2004
我做了一個香港島形狀的座標，放在香港島的中心。座標是不銹鋼雕塑，長闊高約爲：24.5cm X 13.7cm X 5cm，香港島的中心位置(見ａ)大概在陽明山莊東南方向的一條小徑上，離大潭郊野公園入口約400m(見ｂ)。座標鑲嵌在香港島的中心，僅露出表面的香港圖形(見ｃ)，圖形的頂部指向北方。(這段時間香港人在討論：甚麼人才有資格管治香港？)
I made a sign (a stainless steel sculpture) in the shape of Hong Kong Island, and put it at the center of the Hong Kong Island. I use a minimum rectangle to enclose the Hong Kong Island. The cross of the diagonals is the center of Hong Kong. The sculpture is 24.5cm X 13.7cm X 5cm. (During this period, people were debating on what kind of person should govern Hong Kong.)
Hong Kong Life Series
我的作品是關於香港的日常生活
每一處也可以發現「藝術」
My artwork is related to the daily life of Hong Kong
"Art" is everywhere
每一處也可以發現「藝術」
My artwork is related to the daily life of Hong Kong
"Art" is everywhere
HK Life Series 01
六合彩的組合：永勝／教堂
Mark Six: Win / Church
Mark Six: Win / Church
01.06.2004/03.06.2004
六合彩是一種賭博遊戲，每注填六個數字，四注合共填廿四字，廿四字在同一張獎券上出現，可以組成不同的圖案和符號。
Mark Six is a gambling game. You need to give six marks on each game. Each ticket contains 4 games (24 marks). You can use these 24 marks to draw a sign or a symbol.
HK Life Series 02
給LC的情書
Love Letter for LC
03.11.2003 19:53
我在書店買了四本書，四本書名的頭一個字順序讀下來就是：我在想你。
Love Letter for LC
03.11.2003 19:53
沙田商務印書館
Shatin Commercial Press Book Store, Hong Kong
我在書店買了四本書，四本書名的頭一個字順序讀下來就是：我在想你。
I bought 4 books form the bookstore. If you read the first word of the names of each book vertically, you will get a message: I am thinking of you. (Chinese)
HK Life Series 03
$132.30的神蹟
Miracle of $132.30
13.11.2003 12:46
沙田河畔CRC超市
Shatin CRC Supermarket, Hong Kong
我在超市買了八件貨品，若果你從購物單上把每件貨品名稱的第二個字讀下來，你會得到：信祂的人必得永生。(約3:16)
I bought eight items from the supermarket and was given a receipt. If you read the second word from each item’s name, from top to bottom, the sentence (in Chinese) reads: Whoever believes in him should… have eternal life. (John 3:16) appears.
延伸閱讀：
1.《$132.30的神蹟》原作(2003-11-13)：http://pakpark.blogspot.com/2007/03/work-on-hk-life-03.html
2.《$130.00的神蹟》第二版(2006-3-29)及教育電視：http://oneeyeman.blogspot.com/2006/03/45.html
3.《$136.70的神蹟》第三版(2008-1-20)：http://oneeyeman.blogspot.com/2008/02/08-works.html
4. 蘋果日報盜用(2006-11-16)：http://oneeyeman.blogspot.com/2006/11/15.html
5. Nokia廣告(2008-12-20)：http://oneeyeman.blogspot.com/2008/12/02_20.html
6. 藝術初體驗04／看不見的情書(二)(2009-2-15)：http://onemanclassroom.blogspot.com/2009/02/04.html
7. 兆基創意書院課程(2007-4-17)：http://oneeyeman.blogspot.com/2007/04/2007-4-17momo132.html
8. 相關作品《給LC的情書》(2003-11-3)：http://pakpark.blogspot.com/2007/03/work-on-hk-life-02.html
Miracle of $132.30
13.11.2003 12:46
沙田河畔CRC超市
Shatin CRC Supermarket, Hong Kong
我在超市買了八件貨品，若果你從購物單上把每件貨品名稱的第二個字讀下來，你會得到：信祂的人必得永生。(約3:16)
I bought eight items from the supermarket and was given a receipt. If you read the second word from each item’s name, from top to bottom, the sentence (in Chinese) reads: Whoever believes in him should… have eternal life. (John 3:16) appears.
延伸閱讀：
1.《$132.30的神蹟》原作(2003-11-13)：http://pakpark.blogspot.com/2007/03/work-on-hk-life-03.html
2.《$130.00的神蹟》第二版(2006-3-29)及教育電視：http://oneeyeman.blogspot.com/2006/03/45.html
3.《$136.70的神蹟》第三版(2008-1-20)：http://oneeyeman.blogspot.com/2008/02/08-works.html
4. 蘋果日報盜用(2006-11-16)：http://oneeyeman.blogspot.com/2006/11/15.html
5. Nokia廣告(2008-12-20)：http://oneeyeman.blogspot.com/2008/12/02_20.html
6. 藝術初體驗04／看不見的情書(二)(2009-2-15)：http://onemanclassroom.blogspot.com/2009/02/04.html
7. 兆基創意書院課程(2007-4-17)：http://oneeyeman.blogspot.com/2007/04/2007-4-17momo132.html
8. 相關作品《給LC的情書》(2003-11-3)：http://pakpark.blogspot.com/2007/03/work-on-hk-life-02.html
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