PAK PARK (白雙全公園)

Showing Now!

2010-03-30T08:13:00.000-07:00

第53屆威尼斯雙年展（香港館）回應展1/2：
「與視覺無關的旅行」
廣州二沙島廣東美術館
即日起到4月4日（星期日）
更多: http://oneeyeman.blogspot.com/2010/03/blog-post_30.html

Recent News:

2009-01-30T01:49:00.000-08:00

Recent project:

1. 53rd Venice Biennale: Hong Kong Pavilion
The Hong Kong Arts Development Council presents Making (Perfect) World: Harbour, Hong Kong, Alienated Cities and Dreams, a solo presentation of Pak Sheung Chuen at the 53rd Venice Biennale from June 7th to November 22nd 2009. The exhibition is curated by Tobias Berger in association with Para/Site Art Space. Supported by The Burger Collection, Vitamin Creative Space and Osage Art Foundation.

Official website: http://www.venicebiennale.hk/
Facebook: http://www.facebook.com/group.php?gid=97489830744&ref=ts
　

2. New Book! Odd One In II - Invisible Travel
Travelling could be about ‘being present’; at times, it could have nothing to do with ‘being present’ – it could be an imaginary act for a beautiful, unseen place. On an ordinary day it could also become a wonderful part of our memory, taking us to somewhere far away … an afternoon … a section of the road … or a strip of cloud. Odd One In II: Invisible Travel is a collection of Pak’s art documentation about ‘getting lost’ in an unfamiliar place and ‘seeing from his inner eye’ during his traveling in Italy, New York, Korea, Tokyo, Malaysia and China.

MCCM (Publisher): http://www.mccmcreations.com/
Facebook：http://www.facebook.com/group.php?gid=93373044526&ref=nf

新書！單身看II：與視覺無關的旅行
這是白雙全的另類旅行記錄。他走地圖裡看不到的路，他到中國找一個台灣，他要求自己在陌生地方不斷迷路，他甚至全程蒙著眼睛扮失明人去旅行……，一切一切，都在某次歐洲旅行途中所有行李被偷開始；沒有了相機，沒有了記錄工具，一切又回到最原始，反省旅行途中應該做的事。這是一本圖文城市的記錄，書中大部分作品都在意大利、紐約、韓國、東京、馬來西亞，和中國等地完成。當中有「與旅人談旅行」部分，分享嘉賓包括歐陽應霽、馬傑偉、潘國靈、陳寧，和朱凱迪。

3. Inexistent Time in Nam Junk Piak Art Center: http://njp.kr/root/html_eng/cur_exh.asp

　
4. Half Is Complete in HK Museum of Art: http://halfiscomplete.blogspot.com/
　
5. All Day(s) All Night(s): PAK Sheung Chuen's Solo Exhibition in Vitamin Creative Space: http://twomoonspark.blogspot.com/
　

6. White Library / A Mind Reaching for Emptiness: http://www.aaa.org.hk/ 　
A blank page is a pause of time in reading. It could also be readable, offering infinite imagination. A blank page is common in all books, giving us a vision of all. My residency in Asia Art Archive is to photocopy all the blank pages from its collection, attempting to create an alternative to the archive’s collection.
　
白色的圖書館／空白的想像
空白頁是閱讀的停頓時間，若果把空白頁當作內容來閱讀，它會是一個無限的想像空間。空白頁是所有書唯一相同的一頁，它把不同的書串連起來，從一頁可以看到所有。我在亞洲藝術文獻庫(AAA)的駐場計劃是把圖書館內所有藏書的空白頁影印出來，成為圖書館一項另類的文獻記錄。
　

7. A Travel without Visual Experience: http://www.invisibletravel.blogspot.com/
Malaysia, 2009-10-7 to 11 (5-days/4-nights tour group)　

與視覺無關的旅遊
馬來西亞，2009-10-7到11 (五日四夜旅行團)
　

8. New York Public Library Projects (NYPLP): http://nyplp.blogspot.com/
　

Recent Exhibitions

2008-11-15T10:23:00.000-08:00

Solo exhibition:
"From Everyday Objects to Eternity", Diogene Bivaco Urbano, Turin, Italy: http://www.progettodiogene.eu/
"page 22", 58th Street Branch Library, New York, USA: http://www.nyplp.blogspot.com/
"All Day(s) All Night(s)", Vitamin Creative Space, Guangzhou, China: http://www.vitamincreativespace.com/

Group exhibition:
"Yokohama Triennale 2008": www.yokohamatriennale.jp/2008/en
"Third Guangzhou Triennial": www.gdmoa.org/zhanlan/threeyear/4
"New York Art Book Fair 2008": http://www.nyartbookfair.com/
"A Question of Evidence", Vienna: http://www.tba21.org/
"Map game", Birmingham Museum: http://www.bmag.org.uk/
"Charming Experience", HK Museum of Art: www.lcsd.gov.hk/CE/Museum/Arts 　
"The First Stop on the Super Highway", The Nam June Paik Art Center: http://njp.kr/root/html_eng/cur_exh.asp

Residency program:
Art residency in Diogene, Turin, Italy: http://www.progettodiogene.eu/
Art residency in Asian Art Archive, Hong Kong: http://www.aaa.org.hk/

Prize:
"Inward Gazes: Documentaries of Chinese Performance Arts 2008", Macao Museum of Art: http://www.artmuseum.gov.mo/

Biography

2008-04-10T03:59:00.000-07:00

Pak Sheung Chuen (白雙全)
　
Pak Sheung Chuen was born in Fujian (China) in 1977. He immigrated to Hong Kong at 7 years old. He lives and works in Hong Kong now. Pak is a conceptual and performance artist who is well known as a regular visual art columnist in a local newspaper “Mingpao”. His artwork is conceptual, poetic and humor. Each artwork is a deep thought on everyday life. He was awarded an Overseas Exchange Prize (Chinese Performance Art) from Macao Museum of Art in 2005. He got the Lee Hysan Foundation Fellowship in 2006 from Asian Cultural Council supporting him to work in New York. He published 2 books: Odd One In: Hong Kong Diary and See Walk What on 1 July. Pak is a core member of 2nd Floor 5 Sons Studio.
　
1977　Born in Fujian, China.
1984　Immigrated into Hong Kong.
2002　Graduated from The Chinese University of Hong Kong, B.A., Major in Fine Arts, Minor in Theology.
2002　Setup the“2nd Floor 5 Sons Studio”in Fotan with 4 classmates.
2003　Started to pose artworks on Mingpao Daily Newspaper.
2004　Columnist of the (Sunday) Mingpao (明報) Daily Newspaper (until 2006).
2005　Published 2 books: "See Walk What on 1 July" and "Odd One In: Hong Kong Diary". Won an Oversea Exchange Prize in the exhibition: "Inward Gazes–Documentaries of Chinese Performance Arts"(2005) Oversea Exchange Prize, Macao Museum of Art.
2006　Participated in a number of oversea exhibitions, such as “Busan Biennale 2006”. Awarded the Lee Hysan Foundation Fellowship (12 months in USA) of Asian Cultural Council.
2007　ISCP residency in New York
　
E-mail: tozerpak@hotmail.com, tozer_walking@yahoo.com.hk
On-line Portfolio: http://www.pakpark.blogspot.com/
Blogger: http://www.oneeyeman.blogspot.com/
Homepage: http://www.oneeyeman.com/　

Pak's artwork and interview in newspaper
白雙全在明報的作品及訪問

　
白雙全1977年生於中國福建，七歲時隨母移居香港，現於香港生活及工作。白氏從事觀念/行為藝術創作，作品以身邊的人/事/物出發，探索日常生活的美麗和詩意，富有幽默感，且容易明白，他的作品多於《明報》的專欄發表。2005年他獲澳門藝術博物館頒發(行為藝術)海外交流獎，2006年獲亞洲文化協會頒發利希慎基金赴紐約創作一年。他曾出版兩本書：《單身看：香港生活雜記》和《七一孖你遊香港》。他是二樓五仔工作室核心成員。

　
1977年　生於中國福建。
1984年　移居香港。
2002年　畢業于香港中文大學，主修藝術，副修神學。
2002年　與四位同學在火炭設立「二樓五仔工作室」。
2003年　開始在《明報》發表圖像作品。
2004年　在星期日《明報》單身看專欄發表作品直到2006年。
2005年　出版二書：《單身看：香港生活雜記》及《七一孖你遊香港》。得「以身觀身─中國行爲藝術文獻展」海外交流獎。
2006年　參與多個國際展覽，如「釜山雙年展」，同年獲美國亞洲文化協會頒發利希慎基金獎助金，赴美國創作一年。

2007年　參加紐約ISCP藝術家駐場計劃。
　
　

Two books by Tozer Pak
白雙全出版的兩本書

Part1:

2007-12-10T13:28:00.000-08:00

海外及本地創作計劃
Oversea/Local Art Projects

Oversea Art Project 01

2007-12-10T13:23:00.000-08:00

Busan, South Korea
南韓釜山
Busan Biennale 2006 釜山雙年展
2006 16.9.2006-25.11.2006
http://www.busanbiennale.org/
　
　
呼吸一間屋的空氣
Breathing in a House
Korea (Busan), 1-10.09.2006 (10 Days)
Installation with Video
Size variable (Video length: 6 minutes)

　

　
我住在一間小屋裡，呼吸，直到用完這裡的空氣。
I live in a small house, Breathing Until I use up all the air in the whole house.
　

　
關於作品：
有一個晚上我睡在自己的床上，呆呆地望著天花板，甚麼也沒有想，只是隱約聽到自己的呼吸聲，忽然問自己：「要用多少時間才可以呼吸完整間房的空氣？」這就是創作這件作品的緣由。後來有機會在韓國釜山雙年展把這個想法做出來，我在釜山租了一間屋(體積6.7m x 2.7m x 2.2m，和香港的屋一樣細！)，我住在這裡照常作息，但我用透明膠袋把我呼吸的空氣都儲存下來，直至這些儲有我空氣的膠袋填滿了整間屋為止，過程一共用了十天的時間。感覺就像我一部份的生命寄居在這間屋似的。
　
Description:
One night I slept on my own bed, staring at the ceiling, thinking of nothing, but indistinctly heard my own breathing, and I suddenly asked myself, ‘How long does it take to breathe in all the air of this room?’. This is how this work was conceived. And then there came a chance to realize this idea at the Busan Biennial in Korea. I rented an apartment (6.7m x 2.7m x 2.2m, as small as an apartment in Hong Kong! ) in Busan. I lived in this small apartment as usual, but I collected the air I breathed with transparent plastic bags until the whole apartment was filled with these plastic bags with my own breathing. The whole process took 10 days. It felt like part of my life has sojourned at this apartment.
　

DVD

Oversea Art Project 02

2007-12-10T13:19:00.000-08:00

Taipei, Taiwan
台灣台北市
零座標的疆域
A Realm with No Coordinates
30.09.2006 - 22.10.2006
http://stumail.nutn.edu.tw/~m09419015/2006/
　
　
交叉點
Crossing
關於兩岸三地地緣上的關係
About the geographical relationship between China, Tanwan and Hong Kong

2006.08.19-20

錄像記錄/Video documentation:15min

我把香港的經線拉長北上，又把台北市的緯線向左伸延，經緯線交叉的位置：中國廣東省紹關市始興縣頓崗鎮七北管理區。我在這裡附近的小溪上拾到一塊台灣寶島形的石頭。

　
The extension of the longitude of Hong Kong and the latitude of Taipei form a crossing in China. I traveled to that position and found a stone in shape of Taiwan Island.

Cameramen：Ma Chi Hang

其他作品及佈置/Other works and installation

Travelogue: http://oneeyeman.blogspot.com/search/label/TaiwanStone

Local Art Project 01

2007-12-10T13:16:00.000-08:00

CityU, Hong Kong
香港城大
香港點．城大點
hk.cityu.hk
11.1.2007-22.2.2007
http://www.cityu.edu.hk/
　　
　　
等所有人都睡著了
Waiting for all the people sleep
深水埔 (東京街東寧大廈)
27.12.2006 (22:30) - 28.12.2006 (06:00)
　

　
我站在深水埔一棟13層高的大廈面前，等待所有人睡著了，我才離去。相片的時間：22:38 / 01:40 / 02:36 / 04:09 / 05:04。
I stood in front of a 13 floors building at Sham Shui Po. Waiting, until all the people slept. Time of the photos: 22:38 / 01:40 / 02:36 / 04:09 / 05:04.
　
***
等一個朋友
Waiting for a Friend (without Appointment)
九龍塘地鐵站 (進又一城前的大堂)
29.12.2006 (12:47-16:38)
　

　
沒有和任何人約定，我只是隨意在香港挑選一個地方站著，等一個我認識的人出現。這一次我在九龍塘等到一個很久沒有見的大學同學Jacky，他問我：「你怎麼知道我會經過這裡？」我答他：「其實並我不知道，只是我等了你很久。」當我在等我「這個」朋友時，我想起耶穌說的《好撒瑪利亞人》的故事，我想我也是在等一個好的撒瑪利亞人。
　
Without appointment, I selected a place to wait for a friend. This time, Jacky appeared at 16:38. He asked me, “Why do you know I will walk through there?” I told him, “I don’t know… But I have waited you for a long time!”
　

其他作品及佈置/Other works and installation
評論/Critic: http://oneeyeman.blogspot.com/2007/01/10.html

Local Art Project 02

2007-12-10T13:12:00.000-08:00

Manchester, England
英國曼徹斯特
Arrivals and Departures: New Art Perspectives of Hong Kong
遠想與微觀之間：藝術家對香港的十個看法
18.1.2007 - 8.7.2007
http://www.urbis.org.uk/
　
　
五個人行的斑馬線
A Zebra for 5 Persons
2006-12-28 (12:30-13:00)
香港長沙灣 (東京街)
Cheung Sha Wan, Hong Kong

　
我們5個人在斑馬線排成一字，5個人剛好是斑馬線的闊度：104吋，當綠燈亮起時我們就沿著斑馬線來回行走。斑馬線人：Ah Hei/ Chun Hei/ Casper/ Ah Tong/ Tozer，拍攝：甘麗雲。片長：13分鐘。
　
I lined up horizontally on a zebra crossing with 4 friends. Our total width (5 persons) is equal to the width of the zebra crossing: 104”. We walked to-and-fro while green light. Zebra crossing members: Ah Hei/ Chun Hei/ Casper/ Ah Tong/ Tozer. Cameramen: Kam Lai Wan. DV Length: 13 minutes.
　

Shorten Video: 1:58s
　

其他作品及佈置/Other works and installation
　

2007-6-5 RTHK 藝力無限3訪問(節錄1:30)
節目重溫: http://www.rthk.org.hk/rthk/tv/artsunlimited2007/20070605.html

Oversea Art Project 03

2007-12-10T13:08:00.000-08:00

Tokyo, Japan
日本東京
Stranger 陌生人
09-25.03.2007
http://www.c-a-f.jp/
　
--------------------------------
Alternative Tokyo Travel Project 1:
　
山之旅
Mountains Trip
地圖/Map: 川崎市宮前區 (1:10,000 / 2006-3 Edition)
時間/Period: 24-27/2/2007 (Unfinished)
　

　
我沿著一張地圖摺紋走路，這些摺紋是另一個人無意中留下來的，它們成了我旅行路線。我把沿途所見所有在摺紋上(在北面)垂直的物件都拍攝下來，若果沒有東西，我就會變成一件垂直的物件站在這裡。
　
I walked along all the folds of a map. The folds were folded or designed accidentally by an unknown person. It becomes my route to travel. I took photos for all the vertical objects (positioned at north), which are positioned at the folds of the map. In case there is no vertical object, I will stand in the north and become a vertical object.
　
　
垂直的物件 vertical objects

-----------------------------　
Alternative Tokyo Travel Project 2:

谷之旅
Valleys Trip
地圖/Map：東京23區(1:10,000 / 2006-1 Edition)
時間/Period：27-28/2, 1-2/3, 5/3/2007
*我的路線由p1向上一直行到p296，共24頁。　
* I walked vertically from p1 to p296, total 24 pages.
　

　
我打開一本地圖，沿著地圖左頁和右頁之間的縫隙走路*，從東京的南部一直走到北部。書頁拱起好像山峰，兩座山的中間就成為山谷。我沿途觀光，站在所有山谷與路線交叉的位置上拍照。
　
I opened a map book. Then, I walked along all the gaps* between the left pages and the right pages in it, from the south to the north Tokyo. The pages are arched like 2 mountains and the gap is craved in like a valley. I stood and took photos at every points that were crossed the valleys.
　

Snap Shot on the Trip 在路上隨意拍的一些照片
　

----------------------------
Alternative Tokyo Travel Project 3:
　　
看不見之旅
Invisible Trip
地圖/Map: 國分寺．國立市 (1:10,000 / 2006-4 Edition)
時間/Period: 3-4/3/2007
　

我打開一張地圖，沿著地圖的邊緣順時針走路，我有時走在地圖內看得見的路上，有時走在地圖外看不見的路上。我站在每條路的盡頭向「看不見」的方向拍照，並畫出我所走過或望見在地圖以外的路。
　
I traveled clockwise along the boundary of a map. Sometimes, I was walking on some visible roads inside the map. Sometimes, I was walking on some invisible roads outside the map. I draw the invisible roads that I walked or saw, and took photos to the outward direction at all the ends of the roads printed in the map.

　

"Invisible" Scenery「看不見」的風景

Part 2:

2007-12-10T13:00:00.000-08:00

在報紙上發表的作品
Artworks on Newspaper
-------------------------------------------------
我的作品是關於怎樣「看」
My artwork is about how to "see"

Hong Kong History Series

2007-12-10T00:30:00.000-08:00

我的作品見證了香港的歷史
My artwork witnessed the Hong Kong history

HK History Series 01

2007-04-10T03:36:00.000-07:00

３６９２

膠片/plastic sheet
13cm x 15cm
11.05.2003

爲了減少沙士的傳播，管理公司在大廈的密碼鎖上加了一張膠片，並且定時清潔和更換。這是一張用舊了的膠片，上面壓印了居民出入的痕迹，３６９２是大廈的密碼（有趣的是密碼竟然印了在密碼鎖上！）。盒內盛載著的是屋村其餘五座大廈的膠片。

　
To contain the spread of SARS, property management companies place a plastic sheet on the combination lock at the entrance of buildings. They have it cleaned and changed on a regular basis. This is a used plastic sheet, bearing traces of residents' comings and goings. 3692 is the entry code for the building. (Amazingly, password was molded on the lock!) The box contains the plastic sheets of the other five blocks in the housing estate.

HK History Series 02

2007-04-10T03:00:00.000-07:00

回望昨天
Looking back on July 1
02.07.2004
　

　02.07.2004明報/Mingpao Newspaper
　
2004年7月2日，我站在禮頓道的天橋上，望著遊行人群走過的路，拍了一張相片。相片拼在該日的報紙上，恰巧成爲風景的延續。(第二年的香港七一大遊行(2004)，人數由五十萬跌落至十萬餘人，很多香港人由參與者變成了旁觀者去關心這件事。)
　
On July 2, I stood on the footbridge over Leighton Road, looking at the path trodden by the demonstrators. I took a photograph. Putting the photograph on the newspaper of that day accidentally extended the sight. (In the second year of “1st July demonstration” (2004) in Hong Kong, demonstrators drop from 500,000 to 100,000. Many participators became onlookers.)
　

02.07.2004大公報／Tai Kung Pao Newspaper

HK History Series 03

2007-04-10T02:42:00.000-07:00

香港人給中央的禮物

A Present to the Central Government

第一部份

2005年7月1日(15:00-17:00)

香港銅鑼灣鵝頸橋底

我在第三年的七一遊行路線上橫貼了一條黃線，記錄了整天所有遊行人士的腳印。

Part 1

01.07.2005 (15:00-17:00)

Causeway Bay, Hong Kong

I laid a piece of yellow cloth (0.2m x 10m) off on Hennessy Road to bear witness to the third 1st July march. Cutting across the route, it was there to get footprints of the marchers.

第二部份

2005年7月17日(10:00-17:35)

圍繞北京天安門廣場週邊

我把七一的黃線剪成很多少絲帶，然後圍繞北京天安門廣場週邊綁了一個圈。（絲帶綁上後，有一個朋友在遠處拆除。）

Part 2

17.07.2005 (10:00-17:35)

around the periphery of Tian On Men Square, Beijing

I tore the yellow cloth into tiny ribbons. Then, I tied the ribbons around the periphery of Tian On Men Square. (Afterward, a friend untied it from a distant.)

記錄及電視訪問 (90s)

Documentation and TV Programme Interview (90s)

路程/route

HK History Series 04

2007-04-10T01:48:00.001-07:00

給路人的一朵小花
A Little Flower for the Passer-by
07.01.2005
　

五個一元硬幣組成一朵小花
A little flower arranged by five one-dollar coins　
　
這是一件互動的作品：我把五個一元硬幣排成花的形狀，擺放在牛頭角和石硤尾等一帶的街角，然後畫上枝葉和日期（以作記號），等待「有需要」的人拾去。拾起錢的人就像收到一朵花，地上剩下枝葉和日期，還有拾錢人幸運和祝福的感覺。
　
I arranged five one-dollar coins into the shape of a flower and placed them at the street corner. Then I drew it a twig and leaf and date (as a mark), waiting for those “in need” to pick them up. The one who picked them up would be like to receive a flower. The twig and leaf and date would remain, as well as the feeling of luck and blessing.
　

07.01.2005 下午/Afternoon
　

07.01.2005 晚上/Night
　
路線/route
石硖尾是香港最多穷人的地方，我在这裡一共摆放了十一朵小花。(红点是小花的位置。)
Shek Kip Mei is the poorest place in Hong Kong. Totally, I placed 11 little flowers in there. (Red dot is the position of the little flowers)

HK History Series 05

2007-04-10T01:33:00.000-07:00

把「香港」放在香港的中心
Put “Hong Kong” at the Center of Hong Kong
24.06.2004
　

　
我做了一個香港島形狀的座標，放在香港島的中心。座標是不銹鋼雕塑，長闊高約爲：24.5cm X 13.7cm X 5cm，香港島的中心位置(見ａ)大概在陽明山莊東南方向的一條小徑上，離大潭郊野公園入口約400m(見ｂ)。座標鑲嵌在香港島的中心，僅露出表面的香港圖形(見ｃ)，圖形的頂部指向北方。(這段時間香港人在討論：甚麼人才有資格管治香港？)
　
I made a sign (a stainless steel sculpture) in the shape of Hong Kong Island, and put it at the center of the Hong Kong Island. I use a minimum rectangle to enclose the Hong Kong Island. The cross of the diagonals is the center of Hong Kong. The sculpture is 24.5cm X 13.7cm X 5cm. (During this period, people were debating on what kind of person should govern Hong Kong.)
　

Hong Kong Life Series

2007-03-10T09:36:00.000-08:00

我的作品是關於香港的日常生活
每一處也可以發現「藝術」
My artwork is related to the daily life of Hong Kong
"Art" is everywhere

HK Life Series 01

2007-03-10T08:40:00.000-08:00

六合彩的組合：永勝／教堂
Mark Six: Win / Church

01.06.2004/03.06.2004
　

六合彩是一種賭博遊戲，每注填六個數字，四注合共填廿四字，廿四字在同一張獎券上出現，可以組成不同的圖案和符號。

Mark Six is a gambling game. You need to give six marks on each game. Each ticket contains 4 games (24 marks). You can use these 24 marks to draw a sign or a symbol.
　

HK Life Series 02

2007-03-10T08:06:00.000-08:00

給LC的情書
Love Letter for LC
03.11.2003 19:53

沙田商務印書館

Shatin Commercial Press Book Store, Hong Kong
　

　
我在書店買了四本書，四本書名的頭一個字順序讀下來就是：我在想你。

I bought 4 books form the bookstore. If you read the first word of the names of each book vertically, you will get a message: I am thinking of you. (Chinese)
　

HK Life Series 03

2007-03-10T07:19:00.000-08:00

$132.30的神蹟
Miracle of $132.30
13.11.2003 12:46
沙田河畔CRC超市
Shatin CRC Supermarket, Hong Kong
　

　
我在超市買了八件貨品，若果你從購物單上把每件貨品名稱的第二個字讀下來，你會得到：信祂的人必得永生。(約3:16)
　
I bought eight items from the supermarket and was given a receipt. If you read the second word from each item’s name, from top to bottom, the sentence (in Chinese) reads: Whoever believes in him should… have eternal life. (John 3:16) appears.
　　

　
延伸閱讀：
1.《$132.30的神蹟》原作(2003-11-13)：http://pakpark.blogspot.com/2007/03/work-on-hk-life-03.html
2.《$130.00的神蹟》第二版(2006-3-29)及教育電視：http://oneeyeman.blogspot.com/2006/03/45.html　
3.《$136.70的神蹟》第三版(2008-1-20)：http://oneeyeman.blogspot.com/2008/02/08-works.html
4. 蘋果日報盜用(2006-11-16)：http://oneeyeman.blogspot.com/2006/11/15.html
5. Nokia廣告(2008-12-20)：http://oneeyeman.blogspot.com/2008/12/02_20.html
6. 藝術初體驗04／看不見的情書(二)(2009-2-15)：http://onemanclassroom.blogspot.com/2009/02/04.html
7. 兆基創意書院課程(2007-4-17)：http://oneeyeman.blogspot.com/2007/04/2007-4-17momo132.html
8. 相關作品《給LC的情書》(2003-11-3)：http://pakpark.blogspot.com/2007/03/work-on-hk-life-02.html

HK Life Series 04

2007-03-10T05:25:00.000-08:00

收集空氣
Collecting Air
04.11.2003

香港超級市場
Supermarket, Hong Kong

我在超市收集不同地方包裝的薯片，包裝袋內藏有不同生産地的空氣。

I collect potato chips in different packages in the supermarket. Air from different countries is in the packs.

HK Life Series 04a

2007-03-10T05:24:00.000-08:00

單親倫理：父子／母子／母女／父女
Ethic of the Single Parents:
Father and Son/ Mother and Son/ Mother and Daughter/ Father and Daughter
香港，14/8/2003 Hong Kong

HK Life Series 05

2007-03-10T04:32:00.000-08:00

與一家陌生人分享同一個西瓜
To Share a Watermelon with an Unknown Person
香港百佳超級市場，鑽石山
PARKnSHOP Supermarket, Diamonhill, Hong Kong
15.5.2005
　

我在百佳買了半個西瓜回家，另一半在一個陌生人的家中。兩個人不相識的人，卻可以分享同一個西瓜。

HK Life Series 05b

2007-03-10T04:31:00.000-08:00

一斤花生：可分成左右
A Catty of Peanut: Can Be Divided into Left and Right
05.2005

左邊的胚子／半斤；右邊的胚子／半斤。
　
One catty of peanuts can be divided into left and right.
Left side of the seeds / half a catty; right side of the seeds / half a catty

HK Life Series 06

2007-03-10T03:09:00.000-08:00

熟悉的數位，陌生的電話
Familiar Numbers, Unknown Telephone
16.05.2005 13:15-13:18
香港西貢井欄樹
(相片連電話對話錄音)
Tseng Lan Shue, Sai Kung, Hong Kong
(Photo with the sound record of the telephone conversation)

　
去西貢的路上，我在巴士站看到一串熟悉的數位：91 91M 92 96R。之後，我打了一個陌生的電話：9191-9296。
　
On my way to Sai Kung, I saw a familiar set of numbers on the bus stop: 91 91M 92 96R. Shortly after, I made a phone call to an unfamiliar number: 9191-9296.

HK Life Series 07

2007-03-10T02:26:00.000-08:00

擺放在家中的海平線
The Horizon Placed at Home
08.09.2004
香港維多利亞港
Victoria Harbor, Hong Kong
　

　
我在維多利亞港的地圖上畫了一條橫線，橫線一共穿過五個海岸。我在每一個海岸收集一樽海水，每樽海水的高度都是一樣。我把五樽海水平放在家裏，出現了一條連續的海平線。
　
I drew a horizontal line on the map of Victoria Harbor. The horizontal line went through five coasts. I collect a bottle of seawater from every coast. The seawater is of the same height. I put the five bottles of seawater at home. A horizon emerged.
　

我家中的海平線/A horizon at my home

HK Life Series 08

2007-03-10T01:40:00.000-08:00

收集星光

Collecting starlight

14.08.2005

香港灣仔金紫荊廣場

Golden Bauhinia Square, Wanchai, Hong Kong

我用長時間「捕光」的方法，在金紫荊廣場偷取了遊人的閃光。閃光集起來看，好像星光。(兩張相片的拍攝時間：19:56-20:04, 20:07-20:17)

I used long-time exposure to ‘steal’ the flash light of the travelers at the Golden Bauhinia Square. It looks like a starry night. (Photo taking time of the 2 photos: 19:56-20:04, 20:07-20:17)

延伸閱讀: http://oneeyeman.blogspot.com/2006/11/08.html

HK Life Series 09

2007-03-10T01:39:00.000-08:00

彩虹
Rainbow
22.08.2005
彩虹地下鐵站
Choi Hung MTR Station ("Choi Hung" means Rainbow)
　

　

(Photo taken by Pak Sheung Kit)

Hong Kong Body Series

2007-02-10T11:50:00.000-08:00

我的作品是關於身體這一刻的狀態
My artwork is about the state of my body in this moment

Hong Kong Body Series 01

2007-02-10T10:56:00.000-08:00

關於172 cm
About 172 cm
01.2006
　

05.01.2006 19:48 Kwun Tong /觀塘

　
172 cm遇到172 cm，我走到自己的身高面前停了下來，不能前進。當一個人變成一把間尺，他的身體只有三個刻度：長過自己，短過自己，和自己一樣。
　

172 cm met 172cm. I walked and stopped before the height of my body. When a man became a ruler, his body would be only engraved 3 marks: higher than him, shorter than him and as same as him.

06.01.2006 16:38 Mong Kok /旺角

Project website: http://twomoonspark.blogspot.com/

Hong Kong Body Series 02

2007-02-10T05:28:00.000-08:00

載有體溫的座位
A Seat Heated by Human Temperature
01.01.2003-now
　

　
由2003-1-28開始，我記錄我在公共地方坐過載有別人體溫的座位。溫暖由別人的身體流進座位，再由座位流進我的身體，這種身體間的密切交流來自兩個互不相識的人。記錄資料包括：日期、地點和（盡可能描述）這些人的身份。這裏是由01.01.2004-31.03.2004的部份。
　
Starting from the 28th January 2003, I recorded the temperature coming from the seats of passengers just left. The warmth coming from the body of a stranger passed to me directly through a seating place, although we never know each other before or after. Recorded references include date, venue and identities of passengers (as far as possible). The data showing here is between 2003-1-1 and 2004-3-31.
　

Hong Kong Body Series 03

2007-02-10T03:47:00.000-08:00

關於斑馬線
About Zebra Crossings
27.12.2003 23:15-23:50
沙田帝堡城／Shatin Casstello
　

　
有一次在街上遇見工人畫斑馬線，即興做了這件作品。作品是關於城市規劃和人的生活習慣。
　
The photos were taken just after the workers painted the zebra. The photos bring out the relation between city planning and human habits.

CV (Exhibitions 2000-2008)

2007-01-01T18:04:00.000-08:00

PAK SHEUNG CHUEN
　
Solo Exhibitions:
2009 “All Day(s) All Night(s)”, Vitamin Creative Space, Guangzhou
2008 “From Everyday Objects to Eternity”, Diogene Bivaco Urbano, Turin
2008 “ Page 22”, 58th Street Branch Library, New York, U.S.A.
2006 “Artysta z Hong Kongu”, WAA Art Space, Warsaw
2004 “Overlapping”, A’ha Bar.Gallery, Central, Hong Kong
　
Group Exhibitions:
2009 “The First Stop on the Super Highway”, The Nam June Paik Art Center, Seoul
2009 “Charming Experience”, Hong Kong Museum of Art, Hong Kong
2008 “Departure”, He Xiangning Art Museum, Shenzhen
2008 “Yokohama Triennale 2008”, Shinko Pier, Yokohama
2008 “The Third Guangzhou Triennial”, Guangzhou Museum of Art, Guangzhou
2008 “Connection”, Hanart Gallery, Beijing
2008 “Map Games”, Today Art Gallery, Beijing
2008 “Du Dialogue Social”, Motorenhalle, Dresden (Germany)
2008 “Ethnographies of the Future”, Rotunda Gallery, New York
2008 “China China China!!! Chinese Contemporary Art Beyond the Global Market”, Palazzo Strozzi, Florence
2008 “Everyday Anomalies”, Phoenix Art, Brighton (England)
2008 “Dare to Struggle, Dare to Win”, Deutsche Bank Gallery, New York
2007 “China Power Station: Part II”, Astrup Fearnley Museum of Modern Art, Oslo
2007 “Time After Time”, Hollywood Centre, Hong Kong
2007 “Reversing Horizons” Artist Reflections of the Hong Kong Handover 10th Anniversary, MOCA, Shanghai
2007 “I Love Mongkok”, Langham Place, Hong Kong
2007 “Among others…”, Para/Site Art Space, Hong Kong
2007 “Out Look Shenzhen”, Coco Park, Shenzhen
2007 “AIRPORT: Flying thought”, Space E6, ShenZhen
2007 “China’s Performance Art Photography”, 798 Inter Art Center, Beijing
2007 “The Reading Records of Cities”, 798 M Art Space, Beijing
2007 “Inside Looking Out”, Osage Art Gallery, Hong Kong
2007 “Stranger”, Contemporary Art Factory, Tokyo.
2006 “Arrivals and Departures: New Art Perspectives of Hong Kong”, Urbis, Manchester.
2006 “hk.cityu.hk: An art exhibition by Luke Ching and Tozer Pak” CityU Gallery, Hong Kong.
2006 “Busan Biennale 2006”, Busan Contemporary Museum, Korea.
2006 “Yellow Box Art Project”, Shinghai.
2006 “Art in Progress” (Performance festival in Paris), France.
2006 “Realm with No Coordinates”, NTUE Nan Hai Gallery, Taipei.
2006 “Away”, 1a Space, Hong Kong.
2006 “Fotanian 2006”, Fotan Industrial Centre, Hong Kong.
2005 “Inward Gazes – Documentaries of Chinese Performance Arts”, Macao Museum of Art, Macao.
2005 “In Between Meals”, Programme of Business of Design Week 2005, Art Tube, Central MTR Station, Hong Kong.
2005 “Power Plays (Artists Challenge Authorities)”, Para/Site Art Space, Hong Kong.
2004 “Fotanian 2004”, Fotan Industrial Centre, Hong Kong.
2004 “melbourneconnectionasia 2004”, urbanart group inc, Melbourne, Australia.
2004 “Toys’bout”, Habitus Design Space, Hong Kong.
2004 “Man Made - A Project about Masculinity and Art”, Para/Site Art Space, Hong Kong.
2003 “A time like this ... Zeiten wie diese...”, Para/Site Art Space, Hong Kong.
2003 “Fotanian 2003”, Fotan Industrial Centre, Hong Kong.
2002 “Invitational Exhibition by Department of Architecture”, Department of Architecture, The Chinese University of Hong Kong.
2002 “Graduation Exhibition of Fine Arts”, Art Museum, The Chinese University of Hong Kong.
2002 “Small, Hands, Made” Sculpture Exhibition, Hui’s Gallery, New Asia College, The Chinese University of Hong Kong.
2001 “Hong Kong Art Biennial Exhibition 2001”, Hong Kong Museum of Art.
2001 “Mission / Vision: an artistic dialogue with religion”, Para/Site Art Space, Hong Kong.
2000 “Gordon Lo and Tozer Pak Joint Exhibition”, Sir Run Run Shaw Hall, The Chinese University of Hong Kong.

Artist in Residency Program:
2008 AAA (Asian Art Archive), Hong Kong
2008 Diogene Bivaco Urbano, Turin
2007 ISCP (International Studio and Curatorial Program), New York
　
Awards:
2008 Outstanding Work, “Inward Gazes – Documentaries of Chinese Performance Arts”(2008), Macao Museum of Art.
2006 Lee Hysan Foundation Fellowship (12 months in USA), Asian Cultural Council (Hong Kong/2006)
2005 Oversea Exchange Prize, “Inward Gazes – Documentaries of Chinese Performance Arts”(2005), Macao Museum of Art.
2001 Hui's Academy Fine Arts Award (2D / Mixed Media), “Annual Art Exhibition of The Department of Fine Arts 2001”, The Chinese University of Hong Kong.
2000 The Culture Corner Art Academy Fine Arts Award, “Annual Art Exhibition of The Department of Fine Arts 2000”, The Chinese University of Hong Kong.
　
Publication:
PAK Shuung-chuen (2005), See Walk What on 1 July, Hong Kong: Artopia Publishing Limited and 70+ art/words
PAK Shuung-chuen (2005), Odd One In: Hong Kong Diary, Hong Kong: Artopia Publishing Limited and 70+ art/words
　
　
白雙全
　
個展：
2009年「日(日)夜(夜)」，維他命創意空間，廣州
2008年「由日常生活到永恆的距離」，Diogene Bivaco Urbano，都靈
2008年「第22頁」，58街公共圖書館，紐約
2006年「Artysta z Hong Kongu」，WAA Art Space，華沙(波蘭)
2004年「偶然的相遇」，中環A’ha Bar.Gallery，香港

聯展：
2009年「The First Stop on the Super Highway」，白南準美術館，首爾
2009年「尋樂．經驗」，香港藝術館，香港
2008年「橫濱三年展」，橫濱當代美術館，橫濱
2008年「廣州三年展」，廣州美術館，廣州
2008年「關←→連」，漢雅軒，北京
2008年「地圖遊戲」，今日美術館，北京
2008年「Du Dialogue Social」， Motorenhalle，Dresden (德國)
2008年「Ethnographies of the Future」，Rotunda Gallery，紐約
2008年「China China China!!! Chinese Contemporary Art Beyond the Global Market」，Palazzo Strozzi，佛羅倫薩(意大利)
2008年「Everyday Anomalies」，Phoenix Art，Brighton(英國)
2008年「Dare to Struggle, Dare to Wi」，Deutsche Bank Gallery，紐約
2007年「中國電站II」，Astrup Fearnley現代藝術館，奧斯陸(挪威)
2007年「時往時復」，荷里活中心，香港
2007年「地軸轉移」藝術家對香港回歸十周年的回想，上海當代藝術館，上海
2007年「我愛旺角」，朗豪坊，香港
2007年「眾裡，眾言」，Para/Site藝術空間，香港
2007年「出街．深圳站」，Coco Park，深圳2007年
2007年「空想…」，Space E6，深圳
2007年「中國行為藝術攝影」，798 映藝術中心，北京
2007年「閱讀城市空間記錄」，798 Ｍ藝術空間，北京
2007年「Inside Looking Out」，奧沙藝術空間，香港
2007年「陌生人」，現代美術製作所，日本東京
2006年「遠想與微觀之間：藝術家對香港的十個看法」，Urbis，曼徹斯特
2006年「香港點城大點: 程展緯、白雙全實驗藝術作品展」，城大藝廊，香港
2006年「釜山雙年展」，釜山當代美術館，韓國釜山
2006年「黃盒子藝術計劃」，中國上海
2006年「零座標的疆域」，南海藝廊，台北
2006年「出走」，1a 空間，香港
2006年「Part in Progress」(行為藝術節)，法國巴黎
2006年「伙炭2006」，火炭工業村，香港
2005年「以身觀身─中國行爲藝術文獻展」(2005)，澳門藝術博物館，澳門
2005年「飲食之間」，設計營商周節目，Art Tube，中環地鐵站，香港
2005年「主動戲權 (藝術家挑戰權力) 」，上環Para/Site藝術空間，香港
2004年「伙炭2004」，火炭工業村，香港
2004年「melbourneconnectionasia 2004」, urbanart group inc, 墨爾本, 澳洲
2005年「轉得兒玩」，上環Habitus設計空間，香港
2004年「男作業 - 關於男性與藝術」，上環Para/Site藝術空間，香港
2003年「伙炭2003」，火炭工業村，香港
2003年「這一刻……」，上環Para/Site藝術空間，香港
2002年「香港中文大學建築學系邀請展」，香港中文大學建築學系展覽廳，香港
2002年「香港中文大學藝術系畢業展 - 人手作業」，香港中文大學文物館，香港
2002年「一齊展‧手作仔」立體作品展，香港中文大學新亞書院許氏文化館，香港
2001年「香港藝術雙年展2001」，香港藝術館，香港
2001年「不‧可呈示 - 宗教的藝術對話」，上環Para/Site藝術空間，香港
2000年「息止‧憶難」盧家彥、白雙全二人作品展，香港中文大學邵逸夫堂，香港

駐藝術村計劃：
2008年　AAA(亞洲藝術文獻庫)，香港
2008年　Diogene Bivaco Urbano，都靈
2007年　ISCP (International Studio and Curatorial Program)，紐約

獎項：
2008年　優異獎，「以身觀身─中國行爲藝術文獻展」，澳門藝術博物館。
2006年　獲美國亞洲文化協會頒發利希慎基金獎助金，赴美國創作一年，亞洲文化協會。
2005年　海外交流獎，「以身觀身─中國行爲藝術文獻展」，澳門藝術博物館。
2001年　許讓成平面混合媒介創作獎，「香港中文大學藝術系年展2001」，香港中文大學。
2000年　文苑藝術創作獎 (西畫) ，「香港中文大學藝術系年展2000」，香港中文大學。

出版：
白雙全 (2005)，《單身看：香港生活雜記》，香港：傳達出版有限公司 : 70+文字/藝術工作室。
白雙全 (2005)，《七一孖你遊香港》，香港：傳達出版有限公司 : 70+文字/藝術工作室。

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